ARCHITECTURE

Xiqu Centre, Hong Kong

Bing Thom Architects + Ronald Lu & Partners are designing this world-class facility for the preservation, development and promotion of this important art form of Chinese cultural heritage in Hong Kong. The Xiqu Centre will be one of the 17 core arts and cultural venues to be opened within the District. The venue will provide a platform for the Xiqu (Chinese Opera) communities to interact, develop, produce the finest examples of Cantonese and other Chinese opera performances, attract new audiences, educate and collaborate with and host international cultural programmes.

Xiqu centre is located to provide a gateway of access to the Cultural District. Early concept designs illustrate that the building will provide a striking entrance, a lantern for the District, employing the Moongate traditional Chinese motif and a dynamic treatment of the facade. Its flow or “qi” is expressed with curvilinear paths and forms. The architecture incorporates a generous amount of public leisure space, in addition to a 1,050 seat Grand Theatre suspended high above the ground, a 200-seat Tea House Theatre, a 150-seat seminar hall, learning spaces, eight rehearsal and practice rooms, and retail and dining facilities.

*In collaboration with Revery Architecture (formerly known as Bing Thom Architects)

CIVIC & COMMUNITY

Xiqu Centre, Hong Kong

Bing Thom Architects + Ronald Lu & Partners are designing this world-class facility for the preservation, development and promotion of this important art form of Chinese cultural heritage in Hong Kong. The Xiqu Centre will be one of the 17 core arts and cultural venues to be opened within the District. The venue will provide a platform for the Xiqu (Chinese Opera) communities to interact, develop, produce the finest examples of Cantonese and other Chinese opera performances, attract new audiences, educate and collaborate with and host international cultural programmes.

Xiqu centre is located to provide a gateway of access to the Cultural District. Early concept designs illustrate that the building will provide a striking entrance, a lantern for the District, employing the Moongate traditional Chinese motif and a dynamic treatment of the facade. Its flow or “qi” is expressed with curvilinear paths and forms. The architecture incorporates a generous amount of public leisure space, in addition to a 1,050 seat Grand Theatre suspended high above the ground, a 200-seat Tea House Theatre, a 150-seat seminar hall, learning spaces, eight rehearsal and practice rooms, and retail and dining facilities.

*In collaboration with Revery Architecture (formerly known as Bing Thom Architects)